Why Writing Poetry is NOT Like Birthing a Real Baby

The metaphor works. I’ve often used it myself as a sort of crutch device to explain the writer’s life to non-writers. I sometimes refer to my finished poems as my babies.

My poems, which are mostly not confessional in the technical, poetic sense of the term, do have my DNA smeared all over them. Poems are “birthed” in a sense. Read Sylvia Plath. When I read her poems I feel I am a midwife-in-training or sometimes a helpless bystander as she spreads and stuns me with words.

But while I totally “get” the metaphor and contribute to its legitimacy myself, I think it is most helpful to me to remember that writing poetry is in many ways NOT the same experience as actual childbirth and parenting. Poetry is not rocket science either. It’s not the cure for actual cancer, just looming invisible cancers of thought perhaps, crises of belief perhaps. For me, poetry is as physically essential as eating and sleeping, yet I think that many of us who are teachers, plumbers, stock brokers, pastors, salesmen could claim the same enrichment in our lives from pursuing the work we were created to pursue.

Poets aren’t special or closer to the birthing experience than other people are. We remember the smells, the sounds, the lights that were too bright, the faded yellow floral print on the rocker-recliner that our husbands slept on. We might have more aptly named the fear we felt as our own bodies lifted out of themselves and delivered a son or a daughter. But we are as tied to the communal nature of most of our actual life experiences as bakers of cupcakes or sweepers of streets are.

And the work that we do, is more like, well, actual work, than it is a mountaintop threshold of pain or joy. It’s a work that teems with insignificance and the ever-dwindling audience. Insignificance is not the same thing as lack of confidence. Through insignificance I find my true attachments in this life, my place. And the rejection slips are easier to stomach, because, these word-wields on the page are not actually me, nor are they actually my children. In a small way they are, yet in a much vaster way they are not. They are poems. Artifacts of work that I choose to do. They don’t feed people or make them happier (except perhaps momentarily). Knowing this frees me up to write, to work. To exist in relationship with myself in a field of interdependence. To determine when I must hit the DELETE button or start over.

Poets blur lines that most people would prefer to just keep in-tact. Sometimes it is healthy to forego the meta-metaphor and search for the less significant but more impactful grit of accurate perspective. Writers, we are people, too. We must remember to keep ourselves complex, complicated, and diversified. Without writing, I don’t feel that I live a complete life, but without a life, I don’t feel I have much to offer the blank page before me. We can, as poets, be just like everyone else. We can think we should have it all….and passionate kisses…as Mary Chapin Carpenter sang….and fleshy babies…who need more than our words.

Telling your friends

http://www.psychologytoday.com/blog/finding-love/201105/how-love-yourself-first

Why is it so difficult for me to explain to the friends who know me best that I am a serious writer? I find it baffling, but I have also come to the realization that I have to take responsibility for the mistaken identity I must be projecting and thereby conning my best friends.

The above article is about learning to love yourself, and the fact that tomorrow is officially Love Day means it can’t hurt to post the link.

The article states that each of us carries a good deal of guilt about the parts of us that are the most gifted or special, and that guilt, which the psychologist emphasizes is universal and not dependent upon upbringing or childhood circumstances is responsible for why we disallow the vulnerability to share our true selves with others, and even with ourselves sometimes. Perhaps this helps explain the reactions of my friends when I tell them I have recently had some of my poetry published.

Friend #1 stopped sharing with me over coffee and gave the general impression that she thought I was writing about her. (She’s never come within a mile of my poetry and perhaps has never read a serious poem in her life). Then she proceeded to explain to me that anyone can get published on the Internet.  Friend #2 asked me if I had penned a poem about the birth of my grandson. I almost replied No, I am not Sharon Olds ( I would become a confessional poet in a heartbeat if I could write like Sharon Olds), but then I realized this friend would have no idea who Sharon Olds is.

I have to give these friends a break. It is poetry we are talking about. I believe I am better at writing poetry than talking about it. My writing makes a better impression than I probably do. I don’t want to hide my true self and my gifts from those who matter the most to me anymore. Someday I hope that under “occupation” I can actually write “poet” and mean it without flinching or feeling the imposter.